“Persona Abstracta” reimagines the human figure through geometry — stripped of features, yet full of presence.
Using rectangles and color blocks in red, teal, grey, and black, the piece reduces the body to its essential structure: vertical, grounded, upright. Without narrative or gesture, it evokes the suggestion of a person — a character, a self — held within the grid of form.
The deep red becomes the core, the identity; the soft blue, a quiet extension; the dark greens, the shadowed parts we often hide. Around it all: a quiet architecture of space and containment. It is a portrait not of what is seen, but of what is felt in proximity to someone — or within oneself.
Persona Abstracta is an invitation to read humanity through construction, not expression. A visual study of presence, shape, and the subtle drama of stillness.
